Skip to main content

How to watch Live: Kobe and Gianna Bryant’s Memorial Service at Staples Center (Watch Live-stream Here)


#KobeBryant #GiannaBryant #Memorial #StaplesCenter #LiveStream


The official memorial ceremony for former Los Angeles Lakers star Kobe Bryant and his daughter, Gianna, will begin at 10 a.m. PT (1 p.m. ET) Monday at Staples Center and organizers have urged people without tickets to stay away from the arena.







 There are several ways you can watch the memorial service:


As for streaming, the Lakers’ Facebook page will be live streaming the service, beginning at 10:00 a.m. PT, and its website will also be streaming the event. The Lakers’ YouTube channel will be live streaming the event as well.



If you’re looking to watch on TV, NBA TV will be carrying the entire service, according to its website. And if you live in Southern California, several local Los Angeles stations will be airing the event, as well as Spectrum SportsNet, the Lakers’ main television partner. 


The memorial service will not be airing on the large screens outside of Staples Center and near L.A. Live, according to the team, to prevent overwhelming foot traffic. by Sean Burch -The Wrap



Zeidman and Los Angeles Police Department Chief Michel Moore on Friday stressed that the ceremony will not be broadcast on any of the outdoor screens at Staples Center or in the adjacent LA Live plaza.


"This is, to be clear, a ticketed worldwide event at this location," Moore said. "And what that means is, if you don't have tickets and credentials, you will not be allowed into this venue. ... The point there is, do not impact the rest of the Los Angeles downtown community by trying to come here and be part of something that you'll not be a part of."


Moore and Zeidman said they do not anticipate issues of people trying to "crash" the event or cause a disturbance, with both saying the public has shown the utmost respect in the weeks following the helicopter crash that killed Bryant, 41, Gianna, 13, and seven others.


Along with Bryant and his daughter, also killed in the crash were:


-- John Altobelli, 56, longtime coach of the Orange Coast College baseball team, along with his wife, Keri, 46, and their 13-year-old daughter Alyssa, who was a teammate of Gianna on Bryant's Mamba Sports Academy basketball team;


-- Sarah Chester, 45, and her 13-year-old daughter Payton, who also played with Gianna and Alyssa;


-- Christina Mauser, 38, one of Bryant's assistant coaches on the Mamba Academy team; and


-- Ara Zobayan, 50, the helicopter pilot.


By City News Service

Comments

Popular posts from this blog

FLIGHT FACILITIES (Hugo) b2b TOUCH SENSITIVE in The Lab

#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac

Homecoming: A Film By Beyoncé | Official Trailer | Netflix

#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019

Kate Bush, The Dreaming : A Pitchfork Review

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho