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#50WordsforSnow #KateBush From up on that hill, perhaps wearing a capelet over a flowy Victorian gown, Kate Bush has been regarded as a spirit saint of fearless individuality by a generation of musicians such as Björk and Tori Amos as well as younger mystics-in-training such as Florence Welch, Leslie Feist and Bat for Lashes. All that adoration in the ether must’ve stirred the reclusive British singer-songwriter to create not just one album this year — “Director’s Cut,” a reinterpretation of songs from “The Sensual World” and “The Red Shoes” — but also a second one, “50 Words for Snow,” an art-song cycle that veers from delicate to blustery but always with a sheen of elegance.  Bush grounds her songs in the permafrost of winter, with her piano work sounding like the first stirrings after a cold snap. “Among Angels” could be the soundtrack for plants stretching toward the new spring sun, but as much as it’s connected to the natural world, the song twinkles with something more et

#KateBush, #AmongAngels ,#ChroniclesoftheSnowGlobe , #UnderIce , #50WordsforSnow,  Love pours life into death and death into life without a drop being spilled. This animation film is made by a dutch filmer: Michael Dudok de Wit and is called: Father and Daughter.

#KateBush #TheKickInside  #ThisWomansWork #WutheringHeights I first encountered Kate Bush when I was about 17. I was part of the dance program at my school, and our teacher, the much beloved Mr. M., had the most sophisticated taste in music. Sinéad O’Connor, Ani DiFranco, Imogen Heap, and Meshell Ndegeocello scored our warm-ups and across-the-floors, the throbbing bassline of “If That’s Your Boyfriend (He Wasn’t Last Night)” rattling the studio’s chandelier; and at our annual dance concert, a two-night-only affair at a theatre on the Upper West Side, a crowd of sixth graders would twirl around to Bulgarian folk music and Sigur Rós. If I’d joined the company in a bid to belong—to disappear into a synchronized corps—its soundtrack had, over time, yielded an equal and opposite reaction. Without a doubt, my developing taste for alternative-Euro-art-rock was only making me more weird. Kate Bush, who celebrates her 61st birthday today, was another one of Mr. M.’s beguiling mu

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho

Arriving at the first notes of one of pop music’s seminal moments of theatrical and poetic perfection, Kate Bush’s ‘Running Up That Hill’ straddles the line between synth-operatic gold and a deeply personal and spiritual song about the quest for understanding. In our weekly feature The Story Behind The Song, we’re taking this moment to look at the shining gem in the pop crown that is Bush’s album Hounds of Love and find out the track’s beginnings and it’s continued journey. #KateBush #HoundsofLove #RunningUpThatHill The first hit of ‘Running Up That Hill’ is not just a pop masterpiece but an undulating and intriguing song like none that had ever been heard before. It married up the love letter sensibilities that all truly great pop music should at least allude to. But it also gathered up a new level of poetic thinking as Bush’s lyrics explore not only human connection but our relationship with God. Bush explained in a 1985 interview: “It’s about a relationship between a man an