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A Star Is Born Is a Huge Debut for Lady Gaga — But Is It Bradley Cooper’s Oscar to Lose?

It is far easier to forgive a film for a weak first half than a weak second half. The films I’ve been seeing at Venice this week almost all pass the two-hour mark — a lot of big, long movies that beg a joke about the nearly all-male competition lineup that I am just going to let you make for yourself. But it should be noted that some have had an easier time sustaining themselves through that run time than others. Two of the most anticipated titles of the festival had their premieres on Friday, and you could feel the security tighten on the Lido in preparation for Lady Gaga’s plumage to land on the red carpet (it was not a victimless frenzy). The first half of A Star Is Born, Bradley Cooper’s remake of Hollywood’s favorite story it tells itself, are among the most exhilarating of any film you’ll see this year; unabashedly wish-fulfillment porn but through an electrically intimate, contemporary lens. Lady Gaga, famously made-under in her feature film debut, is Ally, a food service emp