Skip to main content

Erykah Badu "20 Feet Tall" Live at Java Jazz Festival 2012


#ErykahBadu #20FeetTall #JavaJazzFestival

20 Feet Tall is from New Amerykah Part Two (Return of the Ankh) the fifth studio album by American recording artist Erykah Badu, first released on March 30, 2010, through Universal Motown. Collaborating with several hip hop producers over the Internet, Badu conceived 75 songs set to be split over three albums with New Amerykah Part One (4th World War) (2008) being the first. The album was recorded primarily at Electric Lady Studios in New York City.



its socially themed and complex predecessor, New Amerykah Part Two contains a prominently groove-based, analog sound. The album incorporates sampling and live instrumentation, while its more personal lyrics focus on themes of romance and relationships. The production for the album was handled by several of Badu's previous collaborators, including J Dilla, Questlove, James Poyser, Madlib, 9th Wonder, Sa-Ra, Georgia Anne Muldrow, and Karriem Riggins, along with appearances from Lil Wayne, Bilal, and harpist Kirsten Agresta.

New Amerykah Part Two (Return of the Ankh) received positive reviews from critics, who commended its soulful sound and loose structure and viewed it as more accessible than that of its predecessor. The album was ranked as one of the best albums of 2010 and the decade by several publications. It debuted at number four on the US Billboard 200 chart, selling 110,000 copies in its first week. As of 2011, it has sold around 300,000 copies in the United States. The album produced three singles, "Window Seat", "Turn Me Away (Get MuNNY)", and "Gone Baby, Don't Be Long".

Comments

Popular posts from this blog

FLIGHT FACILITIES (Hugo) b2b TOUCH SENSITIVE in The Lab

#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac

Homecoming: A Film By Beyoncé | Official Trailer | Netflix

#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019

Kate Bush, The Dreaming : A Pitchfork Review

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho