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"Hello December" A Soulful House, Holiday Mix by DJ Spivey
#deep#house#deephouse#djset #djspivey #xmas Hello December:
00:00 Our First Christmas by DJ Spen & The Muthafunkaz
07:10 December by Frankie Feliciano feat. Monique Bingham
13:16 Silent Night by Eric Kupper
19:32 You Are Why (Ron Carroll BMC Vocal) by Dawn Tallman
25:27 Peace (Orienta-Rhythm Deeper Mix) by Orienta-Rhythm & Michelle Weeks
32:14 This Christmas (CDock Style Vocal) by DJ Pope & Charles Dockins feat. Adrian Blu
37:29 It's Holiday Time by Jihad Muhammad
41:49 Christmas Time is Here (Main Mix) by Elements of Life feat. Josh Milan
Music in this video
Song
Our First Christmas
Artist
DJ Spen & The MuthaFunkaz
Album
Christmas In The House
Licensed to YouTube by
(on behalf of King Street Sounds); UMPG Publishing, and 3 Music Rights Societies
#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac
#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019
#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho
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