Skip to main content

Walmart gains patent to eavesdrop on shoppers and employees in stores



#Eavesdrop #Patent #Privacy #Robots #Walmart

Walmart this week was awarded a US patent for a new listening system for its stores that could raise serious privacy concerns from its shoppers and workers.
According to the filing, the system would capture a variety of sounds in the store to figure out employees' performance and effectiveness at checkout.
For instance, the system can be used to capture beeps produced by a scanner and the rustling of bags at checkout to find out the number of items in a transaction or even the number of bags used.
More alarmingly, the patent mentions that the system could be used to listen to guests' conversations to determine the lengths of checkout lines.
"Additionally, the sound sensors can capture audio of conversations between guests and an employee stationed at the terminal," the patent states. "The system can process the audio of the conversation to determine whether the employee stationed at the terminal is greeting guests."
The new concept hasn't been implemented in Walmart stores and Walmart didn't say whether it ever will be.
The patent comes at a time of heightened concern about user privacy and data, following Facebook's Cambridge Analytica scandal. Shoppers worried about being recorded in stores may opt to avoid those locations or perhaps shop online instead.
The patent also points to efforts by retailers, including Walmart, to upgrade their technology to keep up with Amazon, the leader in e-commerce. Walmart is already developing a handful of new technologies for its stores, including shelf-scanning robots.
"This patent is a concept that would help us gather metrics and improve the checkout process by listening to sounds produced by the bags, carts and cash registers and not intended for any other use," the company said in a statement. "We file patents frequently but that doesn't mean the patents will actually be implemented. We're always thinking about new concepts and ways that will help us further enhance how we serve customers." 
BuzzFeed earlier reported on the new patent, which was originally filed last year and awarded Tuesday.

Comments

Popular posts from this blog

FLIGHT FACILITIES (Hugo) b2b TOUCH SENSITIVE in The Lab

#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac

Homecoming: A Film By Beyoncé | Official Trailer | Netflix

#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019

Kate Bush, The Dreaming : A Pitchfork Review

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho