Skip to main content

Shangela Performed A Beyoncé Medley — In Front Of Beyoncé — And Got A Standing Ovation




#Beyonce, #JayZ #GLAADMediaAwards  #DragQueen #Shangela #ShangelaLaquifaWadley #RuPaulsDragRace

Beyoncé and Jay-Z were honored at the GLAAD Media Awards, where they were treated to a special performance from one of America's favorite drag queens.


Former Drag Race star Shangela Laquifa Wadley, known to her many fans as simply “Shangela,” performed for Beyoncé and Jay-Z at this year’s GLAAD Media Awards on Thursday night, adding to her already banner year.
The drag queen, who was the first runner-up on RuPaul’s Drag Race All Stars 3 and recently appeared in A Star Is Born, delved into a 7-minute medley of Beyoncé tunes — and she was so good that Queen Bey herself gave her a standing ovation.
Shangela's performance was designed to honored the Carters, who were attending the ceremony to accept the Vanguard Award, which celebrates folks in entertainment who advocate equal rights for LGBT people even though they don’t identify with the community themselves.
Online reaction for Shangela's Beyoncé performance was breathless.
Though she didn’t win Drag Race, people certainly believe she has become the country’s next drag superstar.








Shangela really didn’t need the crown to become America’s Next Drag Superstar.


And, yes, at the end of the performance, Beyoncé — THE Beyoncé — stood on her feet to praise Shangela. This is the highest form of praise tbh. It also looks like she mouths “SO GREAT” while clapping.








OMG! This is and giving @itsshangela a standing ovation after Shangela did a lip sync (for your life) medley of Beyonce songs. OMG! @glaad


Other fans recounted all of the major work Shangela has done recently, including collaborating with some of the biggest names in music and film. (If you didn't know, Shangela is the voice you hear at the beginning of Ariana Grande’s “NASA.”)
A legend who never stops working.




In the past year Shangela went on a world tour, was in a Star is Born, went to the Oscars, had a cameo on Ariana Grande’s album, and now is performing for BEYONCÉ. She truly WON.


Trixie Mattel, the queen who ultimately snatched the All Stars 3 crown, commended her former castmate’s performance too.
After Shangela’s performance, Beyoncé and Jay-Z took the stage to accept their award.
The music icon said she was “super honored and overwhelmed” and had a bit of a wardrobe mishap because of Shangela’s fabulous performance.

"I've already cried,” Beyoncé said. “I put a run in my stocking from Shangela.”
Legends honoring legends. Amen
By Michael Blackmon BuzzFeed News , March 29, 2019

Comments

Popular posts from this blog

FLIGHT FACILITIES (Hugo) b2b TOUCH SENSITIVE in The Lab

#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac

Homecoming: A Film By Beyoncé | Official Trailer | Netflix

#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019

Kate Bush, The Dreaming : A Pitchfork Review

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho