Skip to main content

T-Mobile just announced how it will use wireless networks to take on the cable industry


#TMobile #5G #Wireless #Cable

T-Mobile said on Thursday that it will begin a trial delivering home broadband service using its wireless network, an example of how mobile carriers are planning their next push into the cable internet business.

While T-Mobile will use its current 4G LTE network for the pilot, the service will eventually be run on the faster 5G network, which is in the pipeline for T-Mobile, AT&T and Verizon.

Bringing wireless service into the home means consumers won't need to run cables all over the house or rely on a single Wi-Fi router to provide coverage to many rooms. By getting in the door now, T-Mobile can try to establish a base of customers and keep pace with AT&T and Verizon, which are already bringing 5G to the home in select markets.

AT&T and Verizon offer a cable-like service using their existing wired networks, but T-Mobile doesn't. Since T-Mobile is still waiting for regulatory approval to merge with Sprint, it will use this home internet pilot to make the case that it needs Sprint in an effort to compete with its larger rivals.


"We're walking the walk and laying the foundation for a world where we can take the fight to Big Cable on behalf of consumers and offer real choice, competition and savings to Americans nationwide," CEO John Legere said on Thursday in a press release.

T-Mobile's pilot will allow the company to test the logistics and technology of home wireless before rolling it out more widely. T-Mobile said the service will only be available in select areas and customers in those regions will receive invitations via email from the company sometime this week.

T-Mobile normally throttles data (reduces the speed) after its wireless customers consume a certain amount in a given month. But, for its home pilot, the company said it will offer around 50 megabits per second of LTE data without data caps for $50 per month. That's not terribly fast — cable networks these days can offer up to a gigabit per second, or about 20 times the speed that T-Mobile is offering.

And those speeds won't be fast enough if you have several TVs trying to stream Netflix in 4K HDR while someone plays video games in another room. But it'll be fine for just surfing the internet at home and some degree of streaming.

T-Mobile says it will double its speed to more than 100 mbps by 2024 with its new 5G network.

By Todd Haselton | @robotodd , March 21, 2019

Comments

Popular posts from this blog

FLIGHT FACILITIES (Hugo) b2b TOUCH SENSITIVE in The Lab

#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac

Homecoming: A Film By Beyoncé | Official Trailer | Netflix

#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019

Kate Bush, The Dreaming : A Pitchfork Review

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho