Antonio Brown axed from "The Masked Singer" ... You're No Bobby Brown!

Antonio Brown finally got cut Wednesday night ... but it wasn't by the Pittsburgh Steelers.

The superstar WR was one of the celebrity performers on "The Masked Singer" -- and while the show was taped months ago, his song choice proved insanely relevant when it aired Wednesday night.

Disguised in a hippo mask, Brown performed Bobby Brown's "My Prerogative" -- which includes the famous lyrics ... "Everybody's talkin' all this stuff about me. Why don't they just let me live?"

It's almost like he knew he was gonna be in the middle of a super nasty public feud with his team when he taped the show.

The judges thought the face under the hippo mask belonged to either Odell Beckham, Deion Sanders or Allen Iverson.

Before he revealed his true identity, the judges had already sealed his fate -- giving him the lowest score among the celebrity singers ... which means he was axed from the show.

Now, with his singing career essentially over ... he's gotta turn his focus back to football -- and figure out how the hell he can either make peace with the Steelers or get outta Dodge.

-TMZ

Comments

FLIGHT FACILITIES (Hugo) b2b TOUCH SENSITIVE in The Lab

#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac

Homecoming: A Film By Beyoncé | Official Trailer | Netflix

#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019

Kate Bush, The Dreaming : A Pitchfork Review

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho

HyperLoop555

Search This Blog