Skip to main content

Kim Kardashian flaunts her gym-honed 116 pound hourglass frame with sister Kourtney at LACMA Art + Film Gala


They dressed up as Victoria's Secret Angels with their other three sisters for Halloween earlier in the week. 
But Kim and Kourtney Kardashian opted for a one-on-one sister date on Saturday night.
Attending the LACMA Art + Film Gala presented by Gucci, the 38 and 39-year-olds were a vision in the black ensembles. 
Kim has showcased her ample cleavage and enviable hourglass physique in a Tom Ford gown for the evening event. 
The satin design was perfectly hugged her curves and featured a longer pleated design on one side. 
She teamed the look with open-toed heels and accessorized with a cross choker and a carry bag of the same color. 
Kim added extensions to her dark locks for the Gala. 
Her tresses were styled into loose waves and effortlessly flowed over her shoulders with a center path. 
The KKW Beauty entrepreneur kept her glam dramatic with a darkly lined eye and heavy lash extensions. 
Getting her makeup done by sister Kylie Jenner's artist, Ariel, he finished the look with subtly contoured cheeks, a bold brow and overlined nude matte lip.
Sister Kourtney also put on a head-turning and jaw-dropping display.
The eldest Kardashian opted for a straight cut halter neck that gave a modest glimpse of her surgically enhanced breasts. 
Her floor-length dress featured a sexy open back and hugged her gym-honed physique.  
Kourtney kept her accessories minimal with a handheld clutch and a pair of stud earrings. 
The mom-of-three styled her dark Armenian tresses straight and into a half-up-half-down style. 
Kourtney's glam was kept much more simple with a bronzed and contoured complexion that was complete with a light sweep of blush. 
She sported a subtle smokey burgundy eye and had a nude semi-matte lip. 
Kim and Kourtney both took to social media to share a sneak peek of their ensembles with their fans.  
The duo is at LACMA in Los Angeles to attend the Art + Film Gala, honoring influential American photographer Catherine Opie and Academy Award-winning filmmaker Guillermo del Toro. 
Leonardo DiCaprio will be the co-chair the event for the eighth consecutive year.  

By Annita Kate, 4 November 2018

Comments

Popular posts from this blog

FLIGHT FACILITIES (Hugo) b2b TOUCH SENSITIVE in The Lab

#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac

Homecoming: A Film By Beyoncé | Official Trailer | Netflix

#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019

Kate Bush, The Dreaming : A Pitchfork Review

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho