Skip to main content

Exclusive - Meet the stars of The CW's New series "Charmed"


"Charmed" premieres Sunday, October 14th at 8pm, after "Supergirl" on The CW

Stronger together.” That’s what Marisol (guest star Valerie Cruz) tells her daughters, firebrand social justice warrior Melanie “Mel” Vera (Melonie Diaz), and her sister, fun-loving Maggie (Sarah Jeffery), about their family. Mel is a graduate student in the women’s studies department her mother heads at HilltownE University; Maggie is a freshman considering sorority rush (to Mel’s amused dismay) and going “on” again with her on-again/off-again boyfriend, Brian (guest star Charlie Gillespie). But then, a shocking tragedy shatters their world and threatens their sibling bond: Marisol dies in a horrifying accident. Or was it? Three months later, we find Mel unable to accept the official explanation of their mother’s death, while Maggie accuses her of being morbidly obsessed. And then, another huge shock shows up at their front door: they have an older sister – brilliant geneticist Macy (Madeleine Mantock), whom their mother kept a secret all these years! Macy is new in town and doesn’t know a soul (except for Galvin (Ser’Darius Blain), the cute fellow scientist who’s been showing her around). Macy is eager to connect with Mel and Maggie, but Mel can’t handle another shock and shuts her out. 

With the emotions of all three sisters running high, each of the girls suddenly exhibits impossible new abilities: Mel can freeze time, Maggie starts hearing others’ thoughts and Macy has telekinetic powers. But don’t worry, there’s a perfectly reasonable explanation…or so says Harry Greenwood (Rupert Evans) (who as far as they know is the officious new chair of the women’s studies department), when he gathers the three sisters together to reveal they’re actually powerful witches, as was their mother. And he’s not really a professor, he’s their “Whitelighter,” a witch’s advisor and guide! Not only that, but Mel was right: their mother’s death was no accident

– she was murdered by unknown dark forces. It’s a lot to take in, but ultimately the sisters accept their new destiny as The Charmed Ones…and their new duty to protect humankind from the demons that walk among us…one of whom killed their mother. With the Power of Three, they are stronger together… even if they have no idea what they’re really up against.

Based on the original series, CHARMED is from CBS Television Studios in association with Propagate Content, with executive producers Jessica O’Toole (“Jane The Virgin”), Amy Rardin (“Jane The Virgin”), Jennie Snyder Urman (“Jane The Virgin”), Ben Silverman (“The Office”), Brad Silberling (“Jane The Virgin”), Howard Owens (“Jackie”), and Carter Covington (“Faking It”).

bY Rachel Santschi ,Oct 14, 2018

Comments

Popular posts from this blog

FLIGHT FACILITIES (Hugo) b2b TOUCH SENSITIVE in The Lab

#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac

Homecoming: A Film By Beyoncé | Official Trailer | Netflix

#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019

Kate Bush, The Dreaming : A Pitchfork Review

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho