Skip to main content

Banksy painting 'self-destructs' moments after being sold for $1.4 million at auction



For an artist that's known for his stunts, this could be Banksy's most perfect art world prank.
After the gavel fell Friday at Sotheby's auction house in London, Banksy's Girl with Balloon was reduced to shreds -- another apparent act in the disruptive career of the anonymous British graffiti artist.


The iconic image of a girl reaching out for a red, heart-shaped balloon, sold for $1.4 million and moments later, a shredder was hidden inside the "artist's frame" started its work, according to a news release from Sotheby's and the art "self-destructed."

Banksy summed up the stunt with this quote on his Instagram account - "Going, going, gone..." and a posted picture showed stunned onlookers as the shredded art emerges from the bottom of the frame.
"It appears we just got Banksy-ed," Alex Branczik, Sotheby's senior director of contemporary art, said in the news release.

There's no word on how the shredder started operating at the key moment after the auction, though it could have been activated by a remote mechanism.

The auction price of $1.4 million for the spray paint and acrylic on canvas Girl with Balloon tied the artist's previous record set in 2008.


By Andreas Preuss, www.cnn.com - October 6th, 2018

Comments

Popular posts from this blog

FLIGHT FACILITIES (Hugo) b2b TOUCH SENSITIVE in The Lab

#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac

Homecoming: A Film By Beyoncé | Official Trailer | Netflix

#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019

Kate Bush, The Dreaming : A Pitchfork Review

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho