Skip to main content

Serena Williams’ Lavender Tutu Is Another Slammin’ Hit At The U.S. Open

ANADOLU AGENCY VIA GETTY IMAGES Serena Williams, rocking a lavender tutu, is about to smash a forehand in her second-round match.

She’s slaying fashion and her opponents — as usual.Same fashion statement, same result. Tennis star Serena Williams again wore a tutu in her second round match at the U.S. Open Wednesday and again dismantled her opponent. Sporting a Virgil Abloh-designed lavender number this time, she defeated Carina Witthoeft 6-2, 6-2, advancing to a third-round matchup against sister Venus. Williams blew away Magda Linette in straight sets in the first round while blowing away fans with her tutu.
Williams’ fashion-forward appearances at the U.S. Open have taken center stage after the French Open announced it was banning her celebrated black catsuit from last spring.
Fans dug the lavender tutu, too.

Comments

Popular posts from this blog

FLIGHT FACILITIES (Hugo) b2b TOUCH SENSITIVE in The Lab

#Deep_house #HouseMusic #HouseGrooves #Melodic #Electronic #djset #FlightFacilities #TouchSensitive An immaculate selection of disco and killer house grooves by Hugo (Flight Facilities) and Touch Sensitive. website: http://www.flightfacilities.com Youtube http://smarturl.it/SubscribeFF Facebook: http://www.facebook.com/flightfacilities Twitter: http://twitter.com/flightfac Soundcloud: http://soundcloud.com/flightfacilities Instagram: http://instagram.com/flightfac

Homecoming: A Film By Beyoncé | Official Trailer | Netflix

#Beyoncé, #Coachella, #Homecoming, #Netflix, This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to a cultural movement. Premiering April 17. Only on Netflix. Published on Apr 8, 2019

Kate Bush, The Dreaming : A Pitchfork Review

#KateBush # WutheringHeights # Lionheart # NeverforEver #TheDreaming In 1982, Kate Bush’s daring and dense fourth album marked her transformation into a fearless experimental artist who was legible, audibly very queer, and very obviously in love with pop music. In 1978, Kate Bush first hit the UK pop charts with “Wuthering Heights” off her romantic, ambitious progressive pop debut The Kick Inside. That same year, her more confident, somewhat disappointing follow-up Lionheart and 1980’s Never for Ever had a grip of charting singles that further grew her UK success without achieving mega-stardom—she barely cracked into American college rock. What is truly amazing between the first chapter of her career and the new one that began with 1982’s The Dreaming is how consistently Bush avoided the musical world around her, preferring to hone and blend her literary, film, and musical inspirations (Elton John, David Bowie, and Pink Floyd) into the idiosyncratic perfection that was 1985’s Ho